{"id":15468,"date":"2014-10-23T23:23:58","date_gmt":"2014-10-24T01:23:58","guid":{"rendered":"http:\/\/virusdaarte.net\/?p=15468"},"modified":"2022-08-10T21:04:44","modified_gmt":"2022-08-11T00:04:44","slug":"portinari-o-massacre-dos-inocentes","status":"publish","type":"post","link":"https:\/\/virusdaarte.net\/portinari-o-massacre-dos-inocentes\/","title":{"rendered":"Portinari \u2013 O MASSACRE DOS INOCENTES"},"content":{"rendered":"<p><strong>Autoria de Lu Dias Carvalho<br \/>\n<\/strong><\/p>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/virusdaarte.net\/wp-content\/uploads\/2014\/10\/massacre-dos-inoc.-port..jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-15469\" src=\"http:\/\/virusdaarte.net\/wp-content\/uploads\/2014\/10\/massacre-dos-inoc.-port.-300x300.jpg\" alt=\"massacre dos inoc. port.\" width=\"250\" height=\"250\" srcset=\"https:\/\/virusdaarte.net\/wp-content\/uploads\/2014\/10\/massacre-dos-inoc.-port.-300x300.jpg 300w, https:\/\/virusdaarte.net\/wp-content\/uploads\/2014\/10\/massacre-dos-inoc.-port.-150x150.jpg 150w, https:\/\/virusdaarte.net\/wp-content\/uploads\/2014\/10\/massacre-dos-inoc.-port..jpg 583w\" sizes=\"(max-width: 250px) 100vw, 250px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">Em 1943, o pintor brasileiro Candido Portinari retomou o estudo da obra do artista espanhol Pablo Picasso. Visivelmente inspirado na obra mais famosa do mestre, Guernica, com seus planos cinzentos, Portinari criou a &#8220;S\u00e9rie B\u00edblica&#8221;, composta por <em>A Ressurrei\u00e7\u00e3o de L\u00e1zaro<\/em>, <em>Eremita Penitente<\/em> (ou O Profeta), <em>O Sacrif\u00edcio de Abra\u00e3o<\/em>, <em>As Trombetas de Jeric\u00f3<\/em>, <em>A Justi\u00e7a de Salom\u00e3o<\/em>, <em>O Pranto de Jeremias<\/em> e o <em>Massacre dos Inocentes<\/em>, entre 1942 e 1944.<\/p>\n<p style=\"text-align: justify;\">Esta s\u00e9rie cubista foi encomenda pelo empres\u00e1rio de comunica\u00e7\u00e3o Assis Chateaubriand, para ornamentar a sede da R\u00e1dio Tupi, na capital paulista. Ela engloba tanto passagens do Antigo quanto do Novo Testamento.<\/p>\n<p style=\"text-align: justify;\"><span style=\"text-decoration: underline;\">Ficha t\u00e9cnica<\/span><br \/>\nAno: 1943<br \/>\nT\u00e9cnica: t\u00eampera sobre tela<br \/>\nDimens\u00f5es: 149 x 149 cm<br \/>\nLocaliza\u00e7\u00e3o: Museu de Arte de S\u00e3o Paulo \u2013 MASP \u2013 S\u00e3o Paulo, Brasil<\/p>\n<p>Views: 34<\/p>","protected":false},"excerpt":{"rendered":"<p>Autoria de Lu Dias Carvalho Em 1943, o pintor brasileiro Candido Portinari retomou o estudo da obra do artista espanhol Pablo Picasso. Visivelmente inspirado na obra mais famosa do mestre, Guernica, com seus planos cinzentos, Portinari criou a &#8220;S\u00e9rie B\u00edblica&#8221;, composta por A Ressurrei\u00e7\u00e3o de L\u00e1zaro, Eremita Penitente (ou O Profeta), O Sacrif\u00edcio de Abra\u00e3o, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"sfsi_plus_gutenberg_text_before_share":"","sfsi_plus_gutenberg_show_text_before_share":"","sfsi_plus_gutenberg_icon_type":"","sfsi_plus_gutenberg_icon_alignemt":"","sfsi_plus_gutenburg_max_per_row":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[28],"tags":[],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/virusdaarte.net\/wp-json\/wp\/v2\/posts\/15468"}],"collection":[{"href":"https:\/\/virusdaarte.net\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/virusdaarte.net\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/virusdaarte.net\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/virusdaarte.net\/wp-json\/wp\/v2\/comments?post=15468"}],"version-history":[{"count":4,"href":"https:\/\/virusdaarte.net\/wp-json\/wp\/v2\/posts\/15468\/revisions"}],"predecessor-version":[{"id":46433,"href":"https:\/\/virusdaarte.net\/wp-json\/wp\/v2\/posts\/15468\/revisions\/46433"}],"wp:attachment":[{"href":"https:\/\/virusdaarte.net\/wp-json\/wp\/v2\/media?parent=15468"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/virusdaarte.net\/wp-json\/wp\/v2\/categories?post=15468"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/virusdaarte.net\/wp-json\/wp\/v2\/tags?post=15468"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}