{"id":17409,"date":"2015-03-19T22:22:02","date_gmt":"2015-03-20T01:22:02","guid":{"rendered":"http:\/\/virusdaarte.net\/?p=17409"},"modified":"2022-08-11T18:29:06","modified_gmt":"2022-08-11T21:29:06","slug":"botero-o-casamento-de-arnolfini","status":"publish","type":"post","link":"https:\/\/virusdaarte.net\/botero-o-casamento-de-arnolfini\/","title":{"rendered":"Botero \u2013 O CASAMENTO DE ARNOLFINI"},"content":{"rendered":"<p><b>Autoria de <strong>Lu Dias Carvalho<\/strong><br \/>\n<\/b><\/p>\n<p style=\"padding-left: 90px;\"><a href=\"http:\/\/virusdaarte.net\/wp-content\/uploads\/2015\/02\/arnb.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-17410\" src=\"http:\/\/virusdaarte.net\/wp-content\/uploads\/2015\/02\/arnb-263x300.jpg\" alt=\"arnb\" width=\"250\" height=\"285\" srcset=\"https:\/\/virusdaarte.net\/wp-content\/uploads\/2015\/02\/arnb-263x300.jpg 263w, https:\/\/virusdaarte.net\/wp-content\/uploads\/2015\/02\/arnb.jpg 439w\" sizes=\"(max-width: 250px) 100vw, 250px\" \/><\/a> \u00a0 \u00a0 <a href=\"http:\/\/virusdaarte.net\/wp-content\/uploads\/2015\/02\/arnm.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-17411\" src=\"http:\/\/virusdaarte.net\/wp-content\/uploads\/2015\/02\/arnm-222x300.jpg\" alt=\"arnm\" width=\"133\" height=\"180\" srcset=\"https:\/\/virusdaarte.net\/wp-content\/uploads\/2015\/02\/arnm-222x300.jpg 222w, https:\/\/virusdaarte.net\/wp-content\/uploads\/2015\/02\/arnm.jpg 401w\" sizes=\"(max-width: 133px) 100vw, 133px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\"><em>O Casamento de Arnolfini<\/em>, obra (presente neste blog) do mestre van Eyck, \u00e9 uma das pinturas mundialmente famosas. E, como tal, Fernando Botero n\u00e3o poderia deix\u00e1-la passar imune a seus pinc\u00e9is. O artista colombiano criou uma maravilhosa par\u00e1frase da obra, assim como o nosso Maur\u00edcio de Souza (gravura menor).<\/p>\n<p style=\"text-align: justify;\">Sobre a arte de parafrasear obras famosas, Fernando Botero explicou:<\/p>\n<p style=\"text-align: justify;\"><em>Estes temas s\u00e3o t\u00e3o importantes para mim \u00e0 medida que se tornam populares e mais ou menos pertencentes a todos. S\u00f3 ent\u00e3o posso fazer algo diferente com eles. Por vezes, desejo apenas compreender uma pintura de forma mais profunda e completa, a sua t\u00e9cnica e o esp\u00edrito que a conduz.<\/em><\/p>\n<p style=\"text-align: justify;\"><span style=\"text-decoration: underline;\">Ficha t\u00e9cnica<\/span><br \/>\nAno: 1978<br \/>\nT\u00e9cnica: \u00f3leo sobre tela<br \/>\nDimens\u00f5es: 135 x 118 cm<br \/>\nLocaliza\u00e7\u00e3o: Cole\u00e7\u00e3o particular<\/p>\n<p style=\"text-align: justify;\"><span style=\"text-decoration: underline;\">Fonte de pesquisa<\/span><br \/>\nBotero\/ Taschen<\/p>\n<p>Views: 16<\/p>","protected":false},"excerpt":{"rendered":"<p>Autoria de Lu Dias Carvalho \u00a0 \u00a0 O Casamento de Arnolfini, obra (presente neste blog) do mestre van Eyck, \u00e9 uma das pinturas mundialmente famosas. E, como tal, Fernando Botero n\u00e3o poderia deix\u00e1-la passar imune a seus pinc\u00e9is. O artista colombiano criou uma maravilhosa par\u00e1frase da obra, assim como o nosso Maur\u00edcio de Souza (gravura [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"sfsi_plus_gutenberg_text_before_share":"","sfsi_plus_gutenberg_show_text_before_share":"","sfsi_plus_gutenberg_icon_type":"","sfsi_plus_gutenberg_icon_alignemt":"","sfsi_plus_gutenburg_max_per_row":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[11],"tags":[],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/virusdaarte.net\/wp-json\/wp\/v2\/posts\/17409"}],"collection":[{"href":"https:\/\/virusdaarte.net\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/virusdaarte.net\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/virusdaarte.net\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/virusdaarte.net\/wp-json\/wp\/v2\/comments?post=17409"}],"version-history":[{"count":5,"href":"https:\/\/virusdaarte.net\/wp-json\/wp\/v2\/posts\/17409\/revisions"}],"predecessor-version":[{"id":46597,"href":"https:\/\/virusdaarte.net\/wp-json\/wp\/v2\/posts\/17409\/revisions\/46597"}],"wp:attachment":[{"href":"https:\/\/virusdaarte.net\/wp-json\/wp\/v2\/media?parent=17409"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/virusdaarte.net\/wp-json\/wp\/v2\/categories?post=17409"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/virusdaarte.net\/wp-json\/wp\/v2\/tags?post=17409"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}