{"id":36992,"date":"2019-10-12T14:35:30","date_gmt":"2019-10-12T17:35:30","guid":{"rendered":"http:\/\/virusdaarte.net\/?p=36992"},"modified":"2022-09-09T19:33:09","modified_gmt":"2022-09-09T22:33:09","slug":"kano-hideyori-excursao-a-takao","status":"publish","type":"post","link":"https:\/\/virusdaarte.net\/kano-hideyori-excursao-a-takao\/","title":{"rendered":"Kano Hideyori &#8211; EXCURS\u00c3O A TAKAO"},"content":{"rendered":"<p style=\"text-align: justify;\"><strong>Autoria de Lu Dias Carvalho<\/strong><br \/>\n<strong><a href=\"http:\/\/virusdaarte.net\/wp-content\/uploads\/2019\/02\/aemta.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-36994\" src=\"http:\/\/virusdaarte.net\/wp-content\/uploads\/2019\/02\/aemta-264x300.jpg\" alt=\"\" width=\"300\" height=\"341\" srcset=\"https:\/\/virusdaarte.net\/wp-content\/uploads\/2019\/02\/aemta-264x300.jpg 264w, https:\/\/virusdaarte.net\/wp-content\/uploads\/2019\/02\/aemta-768x874.jpg 768w, https:\/\/virusdaarte.net\/wp-content\/uploads\/2019\/02\/aemta-624x710.jpg 624w, https:\/\/virusdaarte.net\/wp-content\/uploads\/2019\/02\/aemta.jpg 844w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/strong><\/p>\n<p style=\"text-align: justify;\">Esta obra que anuncia o realismo e a simplicidade das gravuras do s\u00e9culo XVIII \u00e9 muito importante, porque marca o advento da pura pintura de g\u00eanero na arte japonesa, cuja inspira\u00e7\u00e3o vem de cenas e momentos especiais da vida cotidiana. O assunto era totalmente inovador \u00e0 \u00e9poca.<\/p>\n<p style=\"text-align: justify;\">A cena mostra uma fam\u00edlia em excurs\u00e3o a Takao, templo pr\u00f3ximo \u00e0 cidade de Kyoto, famoso pelos jardins cujas cores mudavam-se no outono. O parque encontra-se junto ao rio e a uma ponte arqueada unifica a composi\u00e7\u00e3o.<\/p>\n<p style=\"text-align: justify;\">In\u00fameros e alegres personagens aparecem na cena: mulheres sentadas debaixo de uma \u00e1rvore floridas \u2013 uma delas trazendo um beb\u00ea ao seio \u2013, duas crian\u00e7as brincando, guerreiros passeando e um vendedor de doces e bebidas.<\/p>\n<p style=\"text-align: justify;\"><span style=\"text-decoration: underline;\">Ficha t\u00e9cnica<\/span><br \/>\nAno: meados do s\u00e9c. XVI<br \/>\nAutor: Kano Hideyori<br \/>\nPer\u00edodo Muromachi<br \/>\nDimens\u00f5es: 148,1 x 362,9 cm<br \/>\nLocaliza\u00e7\u00e3o: Museu Nacional de T\u00f3quio, Jap\u00e3o<\/p>\n<p style=\"text-align: justify;\"><span style=\"text-decoration: underline;\">Fonte de pesquisa<\/span><br \/>\nEnciclop\u00e9dia dos Museus\/ Mirador<br \/>\nO Jap\u00e3o\/ Louis Fr\u00e9d\u00e9ric<\/p>\n<p>Views: 1<\/p>","protected":false},"excerpt":{"rendered":"<p>Autoria de Lu Dias Carvalho Esta obra que anuncia o realismo e a simplicidade das gravuras do s\u00e9culo XVIII \u00e9 muito importante, porque marca o advento da pura pintura de g\u00eanero na arte japonesa, cuja inspira\u00e7\u00e3o vem de cenas e momentos especiais da vida cotidiana. O assunto era totalmente inovador \u00e0 \u00e9poca. A cena mostra [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"sfsi_plus_gutenberg_text_before_share":"","sfsi_plus_gutenberg_show_text_before_share":"","sfsi_plus_gutenberg_icon_type":"","sfsi_plus_gutenberg_icon_alignemt":"","sfsi_plus_gutenburg_max_per_row":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[42],"tags":[],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/virusdaarte.net\/wp-json\/wp\/v2\/posts\/36992"}],"collection":[{"href":"https:\/\/virusdaarte.net\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/virusdaarte.net\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/virusdaarte.net\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/virusdaarte.net\/wp-json\/wp\/v2\/comments?post=36992"}],"version-history":[{"count":4,"href":"https:\/\/virusdaarte.net\/wp-json\/wp\/v2\/posts\/36992\/revisions"}],"predecessor-version":[{"id":48179,"href":"https:\/\/virusdaarte.net\/wp-json\/wp\/v2\/posts\/36992\/revisions\/48179"}],"wp:attachment":[{"href":"https:\/\/virusdaarte.net\/wp-json\/wp\/v2\/media?parent=36992"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/virusdaarte.net\/wp-json\/wp\/v2\/categories?post=36992"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/virusdaarte.net\/wp-json\/wp\/v2\/tags?post=36992"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}