{"id":5619,"date":"2013-07-12T22:20:05","date_gmt":"2013-07-13T01:20:05","guid":{"rendered":"http:\/\/virusdaarte.net\/?p=5619"},"modified":"2015-09-29T14:13:25","modified_gmt":"2015-09-29T17:13:25","slug":"ranking-dos-100-melhores-filmes-noir","status":"publish","type":"post","link":"https:\/\/virusdaarte.net\/ranking-dos-100-melhores-filmes-noir\/","title":{"rendered":"RANKING DOS 100 MELHORES FILMES \/ NOIR"},"content":{"rendered":"

Autoria de Moacyr Praxedes<\/strong><\/p>\n

\"padesa\"<\/a><\/p>\n

V\u00e1rios amantes do cinema fizeram uma lista dos melhores filmes\u00a0 de todos os tempos do g\u00eanero Noir<\/em>, dando-lhes uma nota de 1 a 10. E assim surgiu o Ranking dos Melhores Filmes<\/em> Noir de Todos os Tempos, <\/em><\/i>conforme explica o blog Melhores Filmes:<\/span><\/p>\n

Para chegar a esta lista de filmes, foi realizada uma pesquisa minuciosa com livros de cinema, em sites e revistas internacionais especializadas, e levou-se em considera\u00e7\u00e3o tamb\u00e9m a premia\u00e7\u00e3o em festivais e cr\u00edticas em importantes ve\u00edculos mundiais. A cada filme, foi atribu\u00edda uma nota, de acordo com a m\u00e9dia formulada a partir da pesquisa inicial e do peso que cada obra cont\u00e9m na hist\u00f3ria do cinema mundial. (<\/em>http:\/\/melhoresfilmes.com.br\/generos\/noir)<\/strong><\/p>\n

Ranking \/ Filme \/ Diretor<\/span><\/p>\n

1\u00ba – <\/b>Pacto de Sangue<\/span><\/a> \u00a0(Billy Wilder<\/span><\/a>)<\/span>
\n 2\u00ba – <\/b>A Marca da Maldade<\/span><\/a> \u00a0(Orson Welles<\/span><\/a>)<\/span>
\n 3\u00ba – <\/b>O Terceiro Homem<\/span><\/a> \u00a0(Carol Reed<\/span><\/a>)<\/span>
\n 4\u00ba – <\/b>Embriaguez do Sucesso<\/span><\/a> \u00a0(Alexander Mackendrick<\/span><\/a>)<\/span>
\n 5\u00ba – <\/b>Rel\u00edquia Macabra<\/span><\/a> \u00a0(John Huston<\/span><\/a>)<\/span>
\n 6\u00ba – <\/b>O Mensageiro do Diabo<\/span><\/a> \u00a0(Charles Laughton<\/span><\/a>)<\/span>
\n 7\u00ba – <\/b>Uma Rua Chamada Pecado<\/span><\/a> \u00a0(Elia Kazan<\/span><\/a>)<\/span>
\n 8\u00ba – <\/b>Interl\u00fadio<\/span><\/a> \u00a0(Alfred Hitchcock<\/span><\/a>)<\/span>
\n 9\u00ba – <\/b>F\u00faria Sanguin\u00e1ria<\/span><\/a> \u00a0(Raoul Walsh<\/span><\/a>)<\/span>
\n 10\u00ba – <\/b>Pacto Sinistro<\/span><\/a> \u00a0(Alfred Hitchcock<\/span><\/a>)<\/span>
\n 11\u00ba – <\/b>Farrapo Humano<\/span><\/a> \u00a0(Billy Wilder<\/span><\/a>)<\/span>
\n 12\u00ba – <\/b>As Diab\u00f3licas<\/span><\/a> \u00a0(Henri-Georges Clouzot<\/span><\/a>)<\/span>
\n 13\u00ba – <\/b>Rififi<\/span><\/a> \u00a0(Jules Dassin<\/span><\/a>)<\/span>
\n 14\u00ba –<\/b>O Segredo das J\u00f3ias<\/span><\/a> \u00a0(John Huston<\/span><\/a>)<\/span>
\n 15\u00ba – <\/b>Laura<\/span><\/a> \u00a0(Otto Preminger<\/span><\/a>)<\/span>
\n 16\u00ba – <\/b>Fuga do Passado<\/span><\/a> \u00a0(Jacques Tourneur<\/span><\/a>)<\/span>
\n 17\u00ba – <\/b>O Fugitivo<\/span><\/a> \u00a0(Mervyn LeRoy<\/span><\/a>)<\/span>
\n 18\u00ba – <\/b>A Sombra de uma D\u00favida<\/span><\/a> \u00a0(Alfred Hitchcock<\/span><\/a>)<\/span>
\n 19\u00ba – <\/b>\u00c0 Beira do Abismo<\/span><\/a> \u00a0(Howard Hawks<\/span><\/a>)<\/span>
\n 20\u00ba – <\/b>Os Assassinos<\/span><\/a> \u00a0(Robert Siodmak<\/span><\/a>)<\/span>
\n 21\u00ba – <\/b>A Montanha dos Sete Abutres<\/span><\/a> \u00a0(Billy Wilder<\/span><\/a>)<\/span>
\n 22\u00ba – <\/b>Paix\u00f5es em F\u00faria<\/span><\/a> \u00a0(John Huston<\/span><\/a>)<\/span>
\n 23\u00ba – <\/b>Alma em Supl\u00edcio<\/span><\/a> \u00a0(Michael Curtiz<\/span><\/a>)<\/span>
\n 24\u00ba – <\/b>Punhos de Campe\u00e3o<\/span><\/a> \u00a0(Robert Wise<\/span><\/a>)<\/span>
\n 25\u00ba – <\/b>O Destino Bate \u00e0 Sua Porta<\/span><\/a> \u00a0(Tay Garnett<\/span><\/a>)<\/span>
\n 26\u00ba – <\/b>Os Corruptos<\/span><\/a> \u00a0(Fritz Lang<\/span><\/a>)<\/span>
\n 27\u00ba – <\/b>F\u00faria<\/span><\/a> \u00a0(Fritz Lang<\/span><\/a>)<\/span>
\n 28\u00ba – <\/b>O \u00daltimo Ref\u00fagio<\/span><\/a> \u00a0(Raoul Walsh<\/span><\/a>)<\/span>
\n 29\u00ba – <\/b>Mortalmente Perigosa<\/span><\/a> \u00a0(Joseph H. Lewis<\/span><\/a>)<\/span>
\n 30\u00ba – <\/b>Vive-se S\u00f3 uma Vez<\/span><\/a> \u00a0(Fritz Lang<\/span><\/a>)<\/span>
\n 31\u00ba – <\/b>Rancor<\/span><\/a> \u00a0(Edward Dmytryk<\/span><\/a>)<\/span>
\n 32\u00ba – <\/b>No Sil\u00eancio da Noite<\/span><\/a> \u00a0(Nicholas Ray<\/span><\/a>)<\/span>
\n 33\u00ba – <\/b>Quando Fala o Cora\u00e7\u00e3o<\/span><\/a> \u00a0(Alfred Hitchcock<\/span><\/a>)<\/span>
\n 34\u00ba – <\/b>Curva do Destino<\/span><\/a> \u00a0(Edgar G. Ulmer<\/span><\/a>)<\/span>
\n 35\u00ba – <\/b>Gilda<\/span><\/a> \u00a0(Charles Vidor<\/span><\/a>)<\/span>
\n 36\u00ba – <\/b>Retrato de Mulher<\/span><\/a> \u00a0(Fritz Lang<\/span><\/a>)<\/span>
\n 37\u00ba – <\/b>O Grande Golpe<\/span><\/a> \u00a0(Stanley Kubrick<\/span><\/a>)<\/span>
\n 38\u00ba – <\/b>Anjo do Mal<\/span><\/a> \u00a0(Samuel Fuller<\/span><\/a>)<\/span>
\n 39\u00ba – <\/b>Amarga Esperan\u00e7a<\/span><\/a> \u00a0(Nicholas Ray<\/span><\/a>)<\/span>
\n 40\u00ba – <\/b>Scarface, a Vergonha de uma Na\u00e7\u00e3o<\/span><\/a> \u00a0(Howard Hawks<\/span><\/a>)<\/span>
\n 41\u00ba – <\/b>For\u00e7a do Mal<\/span><\/a> \u00a0(Abraham Polonsky<\/span><\/a>)<\/span>
\n 42\u00ba – <\/b>Corpo e Alma<\/span><\/a> \u00a0\u00a0Robert Rossen<\/span><\/a>)<\/span>
\n 43\u00ba – <\/b>Sombras do Mal<\/span><\/a> \u00a0(Jules Dassin<\/span><\/a>)<\/span>
\n 44\u00ba – <\/b>Baixeza<\/span><\/a> \u00a0(Robert Siodmak<\/span><\/a>)<\/span>
\n 45\u00ba – <\/b>O Estranho<\/span><\/a> \u00a0(Orson Welles<\/span><\/a>)<\/span>
\n 46\u00ba – <\/b>P\u00e2nico nas Ruas<\/span><\/a> \u00a0(Elia Kazan<\/span><\/a>)<\/span>
\n 47\u00ba – <\/b>Beijo da Morte<\/span><\/a> \u00a0(Henry Hathaway<\/span><\/a>)<\/span>
\n 48\u00ba – <\/b>Uma Vida por um Fio<\/span><\/a> \u00a0(Anatole Litvak<\/span><\/a>)<\/span>
\n 49\u00ba – <\/b>Cidade Nua<\/span><\/a> \u00a0(Jules Dassin<\/span><\/a>)<\/span>
\n 50\u00ba – <\/b>At\u00e9 a Vista, Querida<\/span><\/a> \u00a0(Edward Dmytryk<\/span><\/a>)<\/span>
\n 51\u00ba – <\/b>Na Teia do Destino<\/span><\/a> \u00a0(Max Oph\u00fcls<\/span><\/a>)<\/span>
\n 52\u00ba – <\/b>A Dama de Shangai<\/span><\/a> \u00a0(Orson Welles<\/span><\/a>)<\/span>
\n 53\u00ba – <\/b>C\u00e3o Danado<\/span><\/a> \u00a0(Akira Kurosawa<\/span><\/a>)<\/span>
\n 54\u00ba – <\/b>A Morte num Beijo<\/span><\/a> \u00a0(Robert Aldrich<\/span><\/a>)<\/span>
\n 55\u00ba – <\/b>Almas Perversas<\/span><\/a> \u00a0(Fritz Lang<\/span><\/a>)<\/span>
\n 56\u00ba – <\/b>Mercado de Ladr\u00f5es<\/span><\/a> \u00a0(Jules Dassin<\/span><\/a>)<\/span>
\n 57\u00ba – <\/b>A Carta<\/span><\/a> \u00a0(William Wyler<\/span><\/a>)<\/span>
\n 58\u00ba – <\/b>O Beco das Ilus\u00f5es Perdidas<\/span><\/a> \u00a0(Edmund Goulding<\/span><\/a>)<\/span>
\n 59\u00ba – <\/b>Prisioneiro do Passado<\/span><\/a> \u00a0(Delmer Daves<\/span><\/a>)<\/span>
\n 60\u00ba – <\/b>The Small Back Room<\/span><\/a> \u00a0(Michael Powell<\/span><\/a>)<\/span>
\n 61\u00ba – <\/b>Passos na Noite<\/span><\/a> \u00a0(Otto Preminger<\/span><\/a>)<\/span>
\n 62\u00ba – <\/b>Amar Foi Minha Ru\u00edna<\/span><\/a> \u00a0(John M. Stahl<\/span><\/a>)<\/span>
\n 63\u00ba – <\/b>Rumo ao Inferno<\/span><\/a> \u00a0(Richard Fleischer<\/span><\/a>)<\/span>
\n 64\u00ba – <\/b>Brutalidade<\/span><\/a> \u00a0(Jules Dassin<\/span><\/a>)<\/span>
\n 65\u00ba – <\/b>Chaga de Fogo<\/span><\/a> \u00a0(William Wyler<\/span><\/a>)<\/span>
\n 66\u00ba – <\/b>O Invenc\u00edvel<\/span><\/a> \u00a0(Mark Robson<\/span><\/a>)<\/span>
\n 67\u00ba – <\/b>O Rel\u00f3gio Verde<\/span><\/a> \u00a0(John Farrow<\/span><\/a>)<\/span>
\n 68\u00ba – <\/b>Suspeita<\/span><\/a> \u00a0(Alfred Hitchcock<\/span><\/a>)<\/span>
\n 69\u00ba – <\/b>Com as Horas Contadas<\/span><\/a> \u00a0(Rudolph Mat\u00e9<\/span><\/a>)<\/span>
\n 70\u00ba – <\/b>Sublime Devo\u00e7\u00e3o<\/span><\/a> \u00a0(Henry Hathaway<\/span><\/a>)<\/span>
\n 71\u00ba – <\/b>Alma Torturada<\/span><\/a> \u00a0(Frank Tuttle<\/span><\/a>)<\/span>
\n 72\u00ba – <\/b>O Tempo N\u00e3o Apaga<\/span><\/a> \u00a0(Lewis Milestone<\/span><\/a>)<\/span>
\n 73\u00ba – <\/b>A Dama Fantasma<\/span><\/a> \u00a0(Robert Siodmak<\/span><\/a>)<\/span>
\n 74\u00ba – <\/b>O Imp\u00e9rio do Crime<\/span><\/a> \u00a0(Joseph H. Lewis<\/span><\/a>)<\/span>
\n 75\u00ba – <\/b>A Tr\u00e1gica Farsa<\/span><\/a> \u00a0(Mark Robson<\/span><\/a>)<\/span>
\n 76\u00ba – <\/b>Cidade Tenebrosa<\/span><\/a> \u00a0(Andr\u00e9 De Toth<\/span><\/a>)<\/span>
\n 77\u00ba – <\/b>O Justiceiro<\/span><\/a> \u00a0(Elia Kazan<\/span><\/a>)<\/span>
\n 78\u00ba – <\/b>Anjo Embriagado<\/span><\/a> \u00a0(Akira Kurosawa<\/span><\/a>)<\/span>
\n 79\u00ba – <\/b>Um Pre\u00e7o para Cada Crime<\/span><\/a> \u00a0(Bretaigne Windust<\/span><\/a>)<\/span>
\n 80\u00ba – <\/b>Horas de Desespero<\/span><\/a> \u00a0(William Wyler<\/span><\/a>)<\/span>
\n 81\u00ba – <\/b>A Taverna do Caminho<\/span><\/a> \u00a0(Jean Negulesco<\/span><\/a>)<\/span>
\n 82\u00ba – <\/b>Precip\u00edcios D\u2019Alma<\/span><\/a> \u00a0(David Miller<\/span><\/a>)<\/span>
\n 83\u00ba – <\/b>O Homem Errado<\/span><\/a> \u00a0(Alfred Hitchcock<\/span><\/a>)<\/span>
\n 84\u00ba – <\/b>Seu Tipo de Mulher<\/span><\/a> \u00a0(John Farrow<\/span><\/a>)<\/span>
\n 85\u00ba – <\/b>O Dem\u00f4nio na Noite<\/span><\/a> \u00a0(Alfred L. Werker<\/span><\/a>)<\/span>
\n 86\u00ba – <\/b>Capitulou Sorrindo<\/span><\/a> \u00a0(Stuart Heisler<\/span><\/a>)<\/span>
\n 87\u00ba – <\/b>Ningu\u00e9m Cr\u00ea em Mim<\/span><\/a> \u00a0(Ted Tetzlaff<\/span><\/a>)<\/span>
\n 88\u00ba – <\/b>Alma em P\u00e2nico<\/span><\/a> \u00a0(Otto Preminger<\/span><\/a>)<\/span>
\n 89\u00ba – <\/b>Amor e Sangue<\/span><\/a> \u00a0(Josef von Sternberg<\/span><\/a>)<\/span>
\n 90\u00ba – <\/b>Entre Dois Fogos<\/span><\/a> \u00a0(Anthony Mann<\/span><\/a>)<\/span>
\n 91\u00ba – <\/b>Quem Matou Vicki?<\/span><\/a> \u00a0(H. Bruce Humberstone<\/span><\/a>)<\/span>
\n 92\u00ba – <\/b>Envolto nas Sombras<\/span><\/a> \u00a0(Henry Hathaway<\/span><\/a>)<\/span>
\n 93\u00ba – <\/b>A M\u00e1scara de Dimitrios<\/span><\/a> \u00a0(Jean Negulesco<\/span><\/a>)<\/span>
\n 94\u00ba – <\/b>O Caminho da Tenta\u00e7\u00e3o<\/span><\/a> \u00a0(Andr\u00e9 De Toth<\/span><\/a>)<\/span>
\n 95\u00ba – <\/b>Os Quatro Desconhecidos<\/span><\/a> \u00a0(Phil Karlson<\/span><\/a>)<\/span>
\n 96\u00ba – <\/b>A Casa da Rua 92<\/span><\/a> \u00a0(Henry Hathaway<\/span><\/a>)<\/span>
\n 97\u00ba – <\/b>Os Assassinos<\/span><\/a> \u00a0(Don Siegel<\/span><\/a>)<\/span>
\n 98\u00ba – <\/b>Espelhos D’Alma<\/span><\/a> \u00a0(Robert Siodmak<\/span><\/a>)<\/span>
\n 99\u00ba – <\/b>A D\u00e1lia Azul<\/span><\/a> \u00a0(George Marshall<\/span><\/a>)<\/span>
\n 100\u00ba – <\/b>Cora\u00e7\u00e3o Prisioneiro<\/span><\/a> \u00a0(Max Oph\u00fcls<\/span><\/a>)
\n<\/span>Vejam tamb\u00e9m RANKING \u2013 MAIS 100 BONS FILMES \/ NOIR<\/a><\/strong><\/p>\n

Views: 33<\/p>","protected":false},"excerpt":{"rendered":"

Autoria de Moacyr Praxedes V\u00e1rios amantes do cinema fizeram uma lista dos melhores filmes\u00a0 de todos os tempos do g\u00eanero Noir, dando-lhes uma nota de 1 a 10. E assim surgiu o Ranking dos Melhores Filmes Noir de Todos os Tempos, conforme explica o blog Melhores Filmes: Para chegar a esta lista de filmes, foi […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"sfsi_plus_gutenberg_text_before_share":"","sfsi_plus_gutenberg_show_text_before_share":"","sfsi_plus_gutenberg_icon_type":"","sfsi_plus_gutenberg_icon_alignemt":"","sfsi_plus_gutenburg_max_per_row":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8],"tags":[],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/virusdaarte.net\/wp-json\/wp\/v2\/posts\/5619"}],"collection":[{"href":"https:\/\/virusdaarte.net\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/virusdaarte.net\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/virusdaarte.net\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/virusdaarte.net\/wp-json\/wp\/v2\/comments?post=5619"}],"version-history":[{"count":17,"href":"https:\/\/virusdaarte.net\/wp-json\/wp\/v2\/posts\/5619\/revisions"}],"predecessor-version":[{"id":21710,"href":"https:\/\/virusdaarte.net\/wp-json\/wp\/v2\/posts\/5619\/revisions\/21710"}],"wp:attachment":[{"href":"https:\/\/virusdaarte.net\/wp-json\/wp\/v2\/media?parent=5619"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/virusdaarte.net\/wp-json\/wp\/v2\/categories?post=5619"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/virusdaarte.net\/wp-json\/wp\/v2\/tags?post=5619"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}