{"id":6477,"date":"2013-09-04T21:47:21","date_gmt":"2013-09-05T00:47:21","guid":{"rendered":"http:\/\/virusdaarte.net\/?p=6477"},"modified":"2015-09-29T14:55:29","modified_gmt":"2015-09-29T17:55:29","slug":"ranking-mais-100-bons-filmes-documentario","status":"publish","type":"post","link":"https:\/\/virusdaarte.net\/ranking-mais-100-bons-filmes-documentario\/","title":{"rendered":"RANKING \u2013 MAIS 100 BONS FILMES \/ DOCUMENT\u00c1RIO"},"content":{"rendered":"
Autoria de Moacyr Praxedes\u00a0<\/a><\/b><\/p>\n V\u00e1rios amantes do Cinema<\/span> escolheram os melhores filmes de todos os tempos do g\u00eanero Document\u00e1rio,<\/i> dando-lhes uma nota de 1 a 10, conforme explica o blog Melhores Filmes<\/span>:<\/p>\n Para chegar a esta lista de filmes, foi realizada uma pesquisa minuciosa com livros de cinema, em sites e revistas internacionais especializadas, e levou-se em considera\u00e7\u00e3o tamb\u00e9m a premia\u00e7\u00e3o em festivais e cr\u00edticas em importantes ve\u00edculos mundiais. A cada filme, foi atribu\u00edda uma nota, de acordo com a m\u00e9dia formulada a partir da pesquisa inicial e do peso que cada obra cont\u00e9m na hist\u00f3ria do cinema mundial. (http:\/\/melhoresfilmes.com.br\/generos\/documentario)<\/strong><\/em><\/p>\n Ranking \/ Filme \/ Direto<\/span><\/p>\n 101\u00ba – Alleman \u00a0(Bert Haanstra) Vejam tamb\u00e9m RANKING DOS 100 MELHORES FILMES \/ DOCUMENT\u00c1RIOS<\/span><\/a><\/span><\/p>\n http:\/\/melhoresfilmes.com.br <\/p>\n Views: 0<\/p>","protected":false},"excerpt":{"rendered":" Autoria de Moacyr Praxedes\u00a0 V\u00e1rios amantes do Cinema escolheram os melhores filmes de todos os tempos do g\u00eanero Document\u00e1rio, dando-lhes uma nota de 1 a 10, conforme explica o blog Melhores Filmes: Para chegar a esta lista de filmes, foi realizada uma pesquisa minuciosa com livros de cinema, em sites e revistas internacionais especializadas, e […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"sfsi_plus_gutenberg_text_before_share":"","sfsi_plus_gutenberg_show_text_before_share":"","sfsi_plus_gutenberg_icon_type":"","sfsi_plus_gutenberg_icon_alignemt":"","sfsi_plus_gutenburg_max_per_row":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8],"tags":[],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/virusdaarte.net\/wp-json\/wp\/v2\/posts\/6477"}],"collection":[{"href":"https:\/\/virusdaarte.net\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/virusdaarte.net\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/virusdaarte.net\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/virusdaarte.net\/wp-json\/wp\/v2\/comments?post=6477"}],"version-history":[{"count":5,"href":"https:\/\/virusdaarte.net\/wp-json\/wp\/v2\/posts\/6477\/revisions"}],"predecessor-version":[{"id":21728,"href":"https:\/\/virusdaarte.net\/wp-json\/wp\/v2\/posts\/6477\/revisions\/21728"}],"wp:attachment":[{"href":"https:\/\/virusdaarte.net\/wp-json\/wp\/v2\/media?parent=6477"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/virusdaarte.net\/wp-json\/wp\/v2\/categories?post=6477"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/virusdaarte.net\/wp-json\/wp\/v2\/tags?post=6477"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n102\u00ba – Concert for George \u00a0(David Leland)
\n103\u00ba – Nostalgia da Luz \u00a0(Patricio Guzm\u00e1n)
\n104\u00ba – Zeitgeist: The Movie \u00a0(Peter Joseph)
\n105\u00ba – Stevie \u00a0(Steve James)
\n106\u00ba – Let It Be \u00a0(Michael Lindsay-Hogg)
\n107\u00ba – Meninos de Rua \u00a0(Edet Belzberg)
\n108\u00ba – Huey Long \u00a0(Ken Burns)
\n109\u00ba – Murder on a Sunday Morning \u00a0(Jean-Xavier de Lestrade)
\n110\u00ba – Fires Were Started \u00a0(Humphrey Jennings)
\n111\u00ba – For All Mankind \u00a0(Al Reinert)
\n112\u00ba – Serengeti Shall Not Die \u00a0(Bernhard Grzimek)
\n113\u00ba – Cr\u00f4nica de um Ver\u00e3o \u00a0(Edgar Morin)
\n114\u00ba – O Pesadelo de Darwin \u00a0(Hubert Sauper)
\n115\u00ba – Spellbound \u00a0(Jeffrey Blitz)
\n116\u00ba – Burden of Dreams \u00a0(Les Blank)
\n117\u00ba – The Atomic Cafe \u00a0(Jayne Loader)
\n118\u00ba – Apertando as M\u00e3os do Diabo \u00a0(Peter Raymont)
\n119\u00ba – DiG! \u00a0(Ondi Timoner)
\n120\u00ba – Zeitgeist: O Futuro \u00c9 Agora \u00a0(Peter Joseph)
\n121\u00ba – 51 Birch Street \u00a0(Doug Block)
\n122\u00ba – 21 \u00a0(Michael Apted)
\n123\u00ba – Amandla! A Revolution in Four Part Harmony \u00a0(Lee Hirsch)
\n124\u00ba – As Praias de Agn\u00e8s \u00a0(Agn\u00e8s Varda)
\n125\u00ba – Roger & Eu \u00a0(Michael Moore)
\n126\u00ba – Arquitetura da Destrui\u00e7\u00e3o \u00a0(Peter Cohen)
\n127\u00ba – Simonal – Ningu\u00e9m Sabe o Duro Que Dei \u00a0(Cl\u00e1udio Manoel)
\n128\u00ba – Sicko – S.O.S. Sa\u00fade \u00a0(Michael Moore)
\n129\u00ba – Trabalho Interno \u00a0(Charles Ferguson)
\n130\u00ba – Ordinary Fascism \u00a0(Mikhail Romm)
\n131\u00ba – Rush: Beyond the Lighted Stage \u00a0(Sam Dunn)
\n132\u00ba – Dez \u00a0(Abbas Kiarostami)
\n133\u00ba – Bukowski: Born into This \u00a0(John Dullaghan)
\n134\u00ba – The House Is Black \u00a0(Forugh Farrokhzad)
\n135\u00ba – Amazing Journey: The Story of The Who \u00a0(Paul Crowder)
\n136\u00ba – Zeitgeist: Addendum \u00a0(Peter Joseph)
\n137\u00ba – En Construcci\u00f3n \u00a0(Jos\u00e9 Luis Guer\u00edn)
\n138\u00ba – Machssomim \u00a0(Yoav Shamir)
\n139\u00ba – Body of War \u00a0(Phil Donahue)
\n140\u00ba – Exit Through the Gift Shop \u00a0(Banksy)
\n141\u00ba – Vapor da Vida \u00a0(Joonas Bergh\u00e4ll)
\n142\u00ba – Let’s Get Lost \u00a0(Bruce Weber)
\n143\u00ba – Cane Toads \u00a0(Mark Lewis)
\n144\u00ba – Migra\u00e7\u00e3o Alada \u00a0(Jacques Perrin)
\n145\u00ba – In the Year of the Pig \u00a0(Emile de Antonio)
\n146\u00ba – A Deusa Imperfeita \u00a0(Ray M\u00fcller)
\n147\u00ba – A Marcha dos Ping\u00fcins \u00a0(Luc Jacquet)
\n148\u00ba – A Conquista do Everest \u00a0(George Lowe)
\n149\u00ba – Unprecedented: The 2000 Presidential Election \u00a0(Richard Ray Perez)
\n150\u00ba – The Panama Deception \u00a0(Barbara Trent)
\n151\u00ba – O Mist\u00e9rio de Picasso \u00a0(Henri-Georges Clouzot)
\n152\u00ba – Jimi Hendrix \u00a0(Joe Boyd)
\n153\u00ba – Scratch \u00a0(Doug Pray)
\n154\u00ba – A Vida em um Dia \u00a0(Kevin Macdonald)
\n155\u00ba- Era uma Vez em Hollywood \u00a0(Jack Haley Jr.)
\n156\u00ba- A M\u00e1quina de Morte do Khmer Vermelho \u00a0(Rithy Panh)
\n157\u00ba – The Endurance: Shackleton’s Legendary Antarctic Expedition \u00a0(George Butler)
\n158\u00ba – Latcho Drom \u00a0(Tony Gatlif)
\n159\u00ba – Ren\u00e9 \u00a0(Helena Trestikova)
\n160\u00ba – Kinoglaz \u00a0(Dziga Vertov)
\n161\u00ba – O Diamante Branco \u00a0(Werner Herzog)
\n162\u00ba – Grey Gardens \u00a0(Ellen Hovde)
\n163\u00ba – Long Night’s Journey Into Day \u00a0(Deborah Hoffmann)
\n164\u00ba – Home \u2013 Nosso Planeta, Nossa Casa \u00a0(Yann Arthus-Bertrand)
\n165\u00ba – O Fundo do Ar \u00c9 Vermelho \u00a0(Chris Marker)
\n166\u00ba – Monterey Pop \u00a0(D.A. Pennebaker)
\n167\u00ba – O Lixo e a F\u00faria \u00a0(Julien Temple)
\n168\u00ba – Divorce Iranian Style \u00a0(Kim Longinotto)
\n169\u00ba – The Last Days \u00a0(James Moll)
\n170\u00ba – Manufacturing Consent: Noam Chomsky and the Media \u00a0(Mark Achbar)
\n171\u00ba – Streetwise \u00a0(Martin Bell)
\n172\u00ba – Los Angeles Plays Itself \u00a0(Thom Andersen)
\n173\u00ba – Perdido em La Mancha \u00a0(Keith Fulton)
\n174\u00ba – Ricardo III – Um Ensaio \u00a0(Al Pacino)
\n175\u00ba – Estamira \u00a0(Marcos Prado)
\n176\u00ba – Scared Straight! \u00a0(Arnold Shapiro)
\n177\u00ba – Terra do Sil\u00eancio e da Escurid\u00e3o \u00a0(Werner Herzog)
\n178\u00ba – The Trials of Darryl Hunt \u00a0(Ricki Stern)
\n179\u00ba – Por Que Lutamos \u00a0(Eugene Jarecki)
\n180\u00ba – Rios e Mar\u00e9s \u00a0(Thomas Riedelsheimer)
\n181\u00ba – Presunto Culpable \u00a0(Roberto Hern\u00e1ndez)
\n182\u00ba – Daughter from Danang \u00a0(Gail Dolgin)
\n183\u00ba – Um T\u00e1xi para a Escurid\u00e3o \u00a0(Alex Gibney)
\n184\u00ba – Jesus Camp \u00a0(Heidi Ewing)
\n185\u00ba – Berkeley in the Sixties \u00a0(Mark Kitchell)
\n186\u00ba – Runnin’ Down a Dream \u00a0(Peter Bogdanovich)
\n187\u00ba – Going Upriver: The Long War of John Kerry \u00a0(George Butler)
\n188\u00ba – Um Dia em Setembro \u00a0(Kevin Macdonald)
\n189\u00ba – Unforgivable Blackness: The Rise and Fall of Jack Johnson \u00a0(Ken Burns)
\n190\u00ba – Os Yes Men Consertam o Mundo \u00a0(Andy Bichlbaum)
\n191\u00ba – Venho de um Avi\u00e3o Que Caiu nas Montanhas \u00a0(Gonzalo Arijon)
\n192\u00ba – A Pir\u00e2mide Humana \u00a0(Jean Rouch)
\n193\u00ba – Alegrias de Ver\u00e3o \u00a0(Bruce Brown)
\n194\u00ba – Visions of Light \u00a0(Arnold Glassman)
\n195\u00ba – White Light\/Black Rain: The Destruction of Hiroshima and Nagasaki \u00a0(Steven Okazaki)
\n196\u00ba – Dear Zachary: A Letter to a Son About His Father \u00a0(Kurt Kuenne)
\n197\u00ba – Por Que Israel? \u00a0(Claude Lanzmann)
\n198\u00ba – Amsterdam Global Village \u00a0(Johan van der Keuken)
\n199\u00ba – No Mundo a Cada Segundo \u00a0(Patricia Ferreira)
\n200\u00ba – A Autobiografia de Nicolae Ceausescu \u00a0(Andrei Ujica)<\/p>\n
\n<\/span><\/a><\/span><\/strong><\/p>\n